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http://ir.sru.ac.th/handle/123456789/1192ระเบียนเมทาดาทาแบบเต็ม
| ฟิลด์ DC | ค่า | ภาษา |
|---|---|---|
| dc.contributor.author | Santichai Yammai | en_US |
| dc.contributor.author | Benjawan Tipprachaban (Translator) | en_US |
| dc.date.accessioned | 2026-09-14T09:02:05Z | - |
| dc.date.available | 2026-09-14T09:02:05Z | - |
| dc.date.issued | 2569 | - |
| dc.identifier.issn | 9789743065828 | - |
| dc.identifier.uri | http://ir.sru.ac.th/handle/123456789/1192 | - |
| dc.description | The recognition of Nora as UNESCO's Intangible Cultural Heritage of Humanity on December 15, 2021, marked a pivotal moment not only for Thailand but for the global preservation of traditional performing arts. This momentous achievement underscores the profound cultural value embedded within this ancient art form that has flourished in southern Thailand for centuries. It is with great honor and responsibility that I present this English translation of “Nora in Trang Province: Beliefs and Rituals,” making this invaluable scholarly work accessible to international readers for the first time. This book represents far more than a documentation of performance techniques or historical accounts. It serves as a comprehensive ethnographic study that illuminates the intricate relationship between artistic expression, spiritual beliefs, and community identity in Thai culture. The author's meticulous research reveals how Nora functions as a living repository of indigenous knowledge, preserving not only aesthetic traditions but also complex systems of beliefs, ritual practice and social organizations that have sustained communities across generations. My decision to undertake this translation stems from a deep conviction that cultural knowledge transcends linguistic boundaries and belongs to humanity as a whole. In our increasingly globalized world, where traditional cultures face unprecedented challenges, the preservation and dissemination of such knowledge becomes not merely an academic exercise but a moral imperative. The detailed examination of beliefs and rituals presented in this work offers invaluable insights into the ways traditional societies construct meaning, maintain social cohesion, and navigate the relationship between the sacred and secular realms. For the international academic community, this translation opens new avenues for comparative cultural studies, anthropological research, and performance studies. Scholars specializing in Southeast Asian cultures, ritual studies, traditional theater, and intangible heritage preservation will find in these pages rich material for understanding how cultural practices adapt and persist in contemporary contexts. The book's exploration of the Nora Rong Khru ceremony, the veneration of Khru Mo Nora, and the intricate belief systems surrounding Nora performance provides a rare window into the spiritual dimensions of artistic practice that are often overlooked in purely aesthetic analyses. Furthermore, this work contributes significantly to the broader discourse on cultural sustainability and heritage preservation. As UNESCO's recognition of Nora demonstrates, traditional arts are not museum pieces but dynamic, evolving practices that continue to serve vital social functions. The author's vision of “A New Era for Nora in the Future” offers valuable vi perspectives on how traditional cultures can maintain their authenticity while adapting to contemporary realities—a challenge faced by indigenous communities worldwide. For Thailand, this English translation serves as an important tool for cultural diplomacy and international understanding. It enables the nation to share its rich cultural heritage with global audiences, fostering cross-cultural dialogue and appreciation. In an era where soft power increasingly depends on cultural authenticity and distinctiveness, works like this help position Thailand as a custodian of irreplaceable human traditions worthy of international respect and study. The translation also serves educational institutions both within Thailand and abroad. Universities offering programs in cultural studies, anthropology, theater arts, and Southeast Asian studies now have access to primary source material that can enrich their curricula and research programs. This is particularly valuable for Thai students studying abroad and international students seeking to understand Thai culture beyond surface-level representations. As we face an uncertain future where traditional knowledge systems are rapidly disappearing, the preservation of works like this becomes increasingly urgent. This translation ensures that the wisdom embedded in Nora traditions—its sophisticated understanding of community, spirituality, and artistic excellence—remains available to future generations of scholars, artists, and cultural practitioners worldwide. In presenting this translation, I am deeply grateful to the author for creating such a comprehensive and insightful work, and to the Nora masters, performers, and communities who have kept this tradition alive through their dedication and practice. May this English edition serve as a bridge between cultures, fostering greater appreciation for the remarkable diversity of human creative expression and the enduring power of traditional arts to enrich our collective understanding of what it means to be human. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Suratthani Rajabhat University. Faculty of Humanities and Social Sciences | en_US |
| dc.subject | Manora (Dance drama) -- Thailand -- Trang (Province) | en_US |
| dc.subject | Manora (Dance drama) -- Religious aspects | en_US |
| dc.title | Nora in Trang Province: Beliefs and Rituals | en_US |
| dc.type | Book | en_US |
| ปรากฏในกลุ่มข้อมูล: | SRU - Books | |
แฟ้มในรายการข้อมูลนี้:
| แฟ้ม | ขนาด | รูปแบบ | |
|---|---|---|---|
| NORA IN TRANG.pdf | 3.01 MB | Adobe PDF | ดู/เปิด |
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